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Reviews of Mr. Roberts
The Washington Post
A Real
Morale Booster
'Mister Roberts' Still Fit for Duty
By Tricia Olszewski
Special to The Washington Post
Thursday, January 8, 2004; Page C09
Pulver, Roberts, Doc and the Captain spent
three award-winning years on Broadway, but it was Hollywood that made
these characters household names. "Mister Roberts," the 1948
play that was turned into a 1955 movie starring Jack Lemmon, Henry Fonda,
William Powell and James Cagney, is now being presented by the American
Century Theater -- a seemingly odd choice for a company dedicated to neglected
works. But that's what star power will do, according to "Mister Roberts"
director (and American Century artistic director) Jack Marshall: The beloved
celluloid version has so eclipsed the drama, he says, that the work is
now rarely staged.
"Mister Roberts" takes place on
a cargo ship, the USS Reluctant, in the Pacific during World War II. Doug
Roberts (Timothy Andres Pabon), the crew's cargo officer, is feeling bored
and useless. Every week he writes a letter requesting transfer to a fighting
ship, and every week the insufferable Captain (David Jourdan) turns him
down. Despite the respect of his men and gentle suggestions from his friend
Doc (John C. Bailey) that perhaps his contribution on the "bucket"
is as crucial to the war effort as combat, Roberts won't rest until he
changes his lot.
The script, by Thomas Heggen and Joshua Logan,
is based on Heggen's novel of the same name, which he shaped from stories
he had written about his own miserable experience on a wartime cargo ship.
Often funny but with an undercurrent of bitterness and tragedy, "Mister
Roberts" is full of characters who are likable even when they're
not being respectable, and its power struggles and lessons of self-worth
have kept the decades-old work relevant.
Though the personal agendas of the Captain,
Ensign Pulver (John Tweel) and, of course, Lt. Roberts drive the plot,
camaraderie is integral to a successful telling of the story, and the
15 members of this production's cast play and fight as if they have indeed
been stuck together on a ship for months.
There's not a weakness in the bunch: Among
the main players, Pabon makes a charismatic Roberts, a role that Fonda
played both on Broadway and on film; Tweel carries on Lemmon's goofiness
as the lazy, womanizing Pulver; Jourdan's Captain has a simultaneous pomposity
and silliness reminiscent of William Shatner, and Bailey, who portrayed
the loud-mouthed disembodied head in American Century's recent "The
Robber Bridegroom," underplays all his lines to achieve the deadpan
of a medical professional who checks his men with a tossed-off "Anybody
got a fractured skull?" Even among the crew's bit parts, actors such
as Shane Wallis (also the production's fight choreographer), Steve Ferry
and Jake Call cut vivid characters.
A simple, reversible set from Marc A. Wright
serves alternately as the ship's deck, the captain's cabin, and Roberts's
and Pulver's quarters, and leaves plenty of room for the many scenes that
must accommodate the entire cast.
Marshall's blocking makes full use of the
Gunston Theater 2 stage, keeping the audience's eyes engaged when the
majority of the actors are on the floor and sometimes tickling the ears
with a grumbling chorus that comes from crew quarters hinted at behind
the curtain. A memorable line from "Mister Roberts" may claim
that the crew merely travels "from tedium to apathy and back again,
with a side trip to monotony," but this production ensures that the
audience won't feel the same way.
Mister Roberts, by Thomas Heggen and Joshua
Logan. Directed by Jack Marshall. Set and lights, Marc A. Wright; costumes,
Beverley Nicholson Benda; sound, David Meyer. Approximately 2 hours 30
minutes. Through Jan. 31 at Gunston Theater 2, 2700 S. Lang St., Arlington.
Call 703-553-8782 or visit www.americancentury.org.
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